Contact Us

Use the form on the right to contact us.

You can edit the text in this area, and change where the contact form on the right submits to, by entering edit mode using the modes on the bottom right. 

           

123 Street Avenue, City Town, 99999

(123) 555-6789

email@address.com

 

You can set your address, phone number, email and site description in the settings tab.
Link to read me page with more information.

Resources

Information about our instruments and news from the shop.

Total Neck Control

Christopher Dammann

Our Total Control neck is a response to one of the biggest challenges that string musicians face: finding and maintaining an ideal string height for his or her instrument. Between environmental factors and varying personal preferences, it can be difficult to find an instrument that achieves optimal string height for tone and playability.

Our neck joint can be easily set to optimal action on the fly. This adjustment changes the height of the strings off the fingerboard particularly as one goes to positions up the neck. You can go from a slide setup to ultra-low shredding with just a few turns of the bolt and brief re-tuning. This also eliminates the concerns of the dreaded neck reset and helps ensure enough adjustability for healthy playing for years to come. Seasonal action adjustments are a matter of a quarter of half turn. Ray Varona worked on this mechanism (which we now have under patent application ) for five years. It sounds simple but took a lot of experimentation to get it right!

Our adjustable neck joint not only enables pinpoint control over playability but it ensures long-term playability over the course of the instrument’s lifetime.  Instruments built lightly enough to be lively and responsive are also prone to changes in shape over time given the years of seasonal changes and string tension.  At best, the saddle needs to gradually be shaved down and in most cases a neck reset is needed to bring the neck back in line.  With user-control over neck angle, this becomes a moot point since the neck angle is adjusted with a simple turn of a wrench and the saddle can remain constant regardless of action so that the saddle can be set at it’s optimum height purely for tonal purposes instead of at a height dictated by playability needs.